The “Pink Rhea Stinger” – A Northeastern Pacific Squid Imitation for the Skeena System Steelhead.

Figure 1: Minimal Armhook Squid

Fig 2: Materials: Rhea (orange and pink), Veevus 10/0 thread (orange), SRFS Stinger Shank, Kristal Chenille (peacock), Dubbing (orange), SRFS bead chain eyes, SRFS stinger loop material (orange), Nutria (orange).

Fig 3: Tie in your thread and cover the shank with Thread.

Fig 4: Tie in SRFS Stinger Loop Material. Leave the loop big enough to accommodate the hook size that you plan to use. For me that is usually 1 or 1/0. As you can see the loop material is flat (oval). This prevents the loop from twisting and keeps it aligned very well. Also note that the tag ends are cut off at an uneven length to taper the under body. The eye of our Stinger Shanks is kept slightly large to accommodate the Stinger Loop material while leaving space for your leader connection knot.

Fig 5: Here the loop material is folded back below the shank and secured. Note: this is a view of the bottom of the shank.

Fig 6: Soak the Rhea feathers in water for approx. 10 minutes prior to stripping the rhea.

Fig 7: Take the soaked Rhea feather. Grab the fibres at the tip of one side of the feather. Take a firm hold close to the stem and smoothly pull down on an acute downward angle. Continue to pull down, do not stop. All the way down to the base of the feather stem. This technique takes some practice. It is essential that the feather is soaked first. The other important part is to grip close to the stem and pull down on an acute angle, almost parallel to the stem of the feather.

Fig 8: Here we see the stripped Rhea feather. Strip both sides of the feather while you are at it. Just keep the strip for future patterns.

Fig 9: Tie in the Ice Chenille and take three wraps to create a dubbing ball. Next tie in a bunch of Nutria and spin it around the shank. The Nutria forms an excellent support for the soft Rhea and thus helps provide movement to the pattern.

Fig 10: Take about 3-4 wraps of the Rhea hackle strip. make sure to place the wraps close to each other, but do not over-lap the turns.

Fig 11: Now take the second (pink) Rhea hackle strip, tie it in and again take 3 to 4 turns.

Fig 12: Tie in 6 strands of Pearl Kristal Flash. Distribute them evenly around the shank. I keep them roughly the same length as the Rhea fibres.

Fig 13: Tie in bead chain eyes. I use bead chain eyes because they provide an easy way to add a small amount of weight that balances the fly out nicely. It also adds a bit of shine to the head of the fly. The head of the fly in this case represents the rear of the aspect of the squid. Alternatively some fine lead wire or substitute could be applied. When tying in the eyes make sure to place them rather close to the tie-off point of the hackle. This will make for a better looking head. Also note that I place the bead eyes on top of the shank. With the 15 degree up-eye of the Stinger Shank this does not pose a problem for the balance of the fly.

Fig 14: Dub a head. I do not make a dubbing loop. I simply spin the dubbing on the thread and I apply ample amounts of dubbing. Itake one or tow extra turns of bare thread over top of the dubbing to fully secure it. For dubbing I use either seal fur, or Snow Runner under fur, or Wild Boar under fur. I blend it to the colour I need and add some angle hair in silver or gold for sparkle.

Fig 15: Use a velcro brush and thoroughly brush out the dubbing. I finish the head with a whip-finish and apply a non-glossy glue based head cement, like Softex. Done!